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Rediscovering Your Sparkle And Flaunting Your Sexy Spiritual Self With Lora Cheadle

By July 30, 2020Podcast
TGV 16 | Sexy Spiritual Self

TGV 16 | Sexy Spiritual Self

 

Do you feel like you’ve lost your sparkle? You’re in the right place because Lora Cheadle is joining Corin Grillo in this episode to bring her special brand of sparkle and magic. The author of FLAUNT! Drop Your Cover and Reveal Your Smart, Sexy & Spiritual Self, Lora gives a fresh, feminine approach towards rediscovering who you are. Listen to this fun conversation as she walks us through her unique signature process to help to disrobe and embody your true, authentic, smart, sexy, and spiritual self.

Listen to the podcast here:

Rediscovering Your Sparkle And Flaunting Your Sexy Spiritual Self With Lora Cheadle

Do you feel like you’ve lost your sparkle? You’re in the right place because Lora Cheadle is coming on to bring her special brand of sparkle and magic. Let me tell you a little bit about Lora. She is the author of FLAUNT! Drop Your Cover and Reveal Your Smart, Sexy & Spiritual Self. I know that I’ve been speaking to a lot of people in our communities, a lot of my clients now are in the active process of rediscovering who they are on an even deeper level than ever. I love Lora’s approach. I read her book. I think it gives a cool, feminine approach towards rediscovering who you are. In Lora’s case, after many years of practicing Corporate Law in California and Colorado, she chose to change her path to become the radio host and Life Choreographer she is. She is a Certified Hypnotist, personal trainer and a burlesque performer.

She also does yoga and is a Yoga Instructor. She’s a little bit of a lot of good things and leans into helping women deconstruct the roles that they play because many women have over the years abandoned themselves. She helps them, quite literally, re-find their sparkle. We have fun in this conversation. I had a great time talking to her. She walks you through her unique signature process in a way to help to disrobe and embody your true, authentic, smart, sexy and spiritual self. I hope you enjoy our conversation. Welcome, Lora Cheadle.

I’m going to go ahead and pull your card. Every once in a while, I’ll pull a fun card. I have this great new deck, Lora. It’s called Divine Feather. Have you ever seen or heard of it? It’s just birdies and it’s sweet. I am getting to know the deck itself and it’s been very special. I figure we might as well use it. This little birdie has a message for Lora. It’s the Cardinal. They gave me little chills too. The angels gave me little angel bumps for you. The Cardinal says, “Stand tall and proud.” The leadership role is unfolding ahead of you. When I feel into Cardinals, it’s like they are very proud and it’s so much about the content of your book. When I read you that little message, what stirred inside of you?

After my little angel bumps went off, what stirred inside of me is the image of the Cardinal being red and the idea that people are looking at that. People are drawn to that even when we don’t realize it. I think that is important because we are all leaders, no matter who we are, what we’re doing. If we’re home raising our kids, if we are working as a barista at Starbucks, whatever we’re doing, we are being seen by people that we don’t realize. We are leading every single day in every single role and it doesn’t even have to be a leadership role.

You’re talking about leadership, I’ve been getting this a lot of the messages about leadership and how leaders come in all different shapes and sizes. It’s almost like we’re deconstructing the patriarchal vision of what a leader should look like. We can look like anything, but when more of us become conscious of the fact that we are leading our own movement in one way or the other. Once you realize that you are wearing red and people are watching, they’re noticing. What a good card. It is a sweet little deck is what I’m saying.

I love how that does bridge into some of the work that you’ve done with your book, FLAUNT! It’s such a cool book, first of all. I love the writing. I thought it was engaging. Even though you’re talking about some deep, important material, there was some levity and irreverence in there. I feel like irreverence is the key when we’re all looking at our shit at our material. Can you tell me what the inspiration was for you to write the book in the first place?

There was so much inspiration. As you know, but your readers might not know, I started as a corporate attorney. The reason that I went to law school was because I had this passion for justice. I’m going to fight for the underdog. I’m going to be perfect and doing it all right. I’m going to create all this good in the world. As anybody who has ever thought something similar knows, it doesn’t work out the way we have it planned. I was judged strongly by many people for being female, for being pretty, for being perky, for talking to angels. You name it, I was judged.

TGV 16 | Sexy Spiritual Self

FLAUNT!: Drop Your Cover and Reveal Your Smart, Sexy & Spiritual Self

This is when you were in the legal profession?

Yeah. I need to get this story out because I thought that I had done something wrong. The more people that I shared my story with, the more people would say, “Yes, I was judged for being a mom. I was judged for being whatever it was. I was judged for wearing this.” I was like, “I’ve got to write my story because it’s not us, people. It’s everybody else judging us, but it’s not us.” We didn’t do it wrong.

I think what we’re seeing now is real. We’re seeing a real peel back on systemic problems, institutional problems and it’s being focused on the Black Lives Matter movement. Thank goodness for that. What it is for me is a start, in a way, peeling back some of the other forms where a false building was built for me, where I was feeling judged because of my skin color or my gender. I think many of us are going through that deconstruction process. You are a lawyer rocking the scene, rocking your shit and wherever you’re looking, it’s not going to be good enough.

I like how you bring up some of the systemic things that are coming to light around Black Lives Matter and some other things. Those are big visible things and it’s important. It’s also important for us to address all of these little things because I didn’t have one major abuse of power. I had a million little ones over my lifetime and it’s easy to say, “That didn’t matter. It was small.” It was like, “Come on people, we’ve got to start chipping away at some of these smaller ones in order to knock down those big, huge false buildings.”

In the context of your book, we’re talking about the aggression against the feminine. It doesn’t matter what we do. If we’re too smart, that’s a fucking problem. If we’re too sexy, that’s a fucking problem. If we’re angry, that’s a problem. I think that’s why I love your book because you’re helping in a way to deconstruct that and to get us back to more of our raw, authentic nature. That is your story, but I read about your story when you were younger. I wanted to ask you, have you always had your little sparkle going on? What happened to you that shaped your desire to support other women?

I have always been a happy, bouncy, positive person. That’s my natural personality type. Whatever our natural personality type is, it’s good. I also felt like people were always telling me to not be happy, to not smile so much and to not be so perky. It was like, “Can I ever just be me?” I know from many of my friends growing up as little girls, “You are too serious.” We’re always telling little kids, “You’re too sensitive. You’re not sensitive enough. Fit in. Don’t fit in.” I only wanted to express my personality my own freaking way, and to be able to be everything that I was while at the same time, expressing my personality that way. I’m bouncy. I’m happy. I’m positive. When infidelity rocked me, it took me down and I cried and I laid on the floor. I wanted to die. I can hold both extremes, and so can everybody else.

That is true and holding the extremes in life. I’m going to ask you about something that you talk about in your book. I want to talk about it, but I feel like we should get a little deeper. I was reading about this and I was like, “This is me.” I want to know a little bit more about your process. In the book, you take people through a process of rediscovering who they are. Can you talk more about how you help people in the book?

[bctt tweet=”It is only when we are rooted and grounded in how we are and what we are that we can ever hope to change. ” via=”no”]

I use the concept of burlesque to help women strip out of the need to please, to strip out of that fear of being judged, and to strip out of all of those labels, rules and scripts that they have either built up around themselves or had put on them. I use that concept of burlesque metaphorically, stripping down to reveal that sparkle that we all have inside of us. We all have this beautiful personality, whether it’s big and bright or rich and deep. I help people using the five steps of FLAUNT! strip out of everything that’s not them. There’s this quote about Michelangelo as he’s carving these gorgeous sculptures. Somebody asked him, “How do you know what to carve?” His response was, “I take away everything that’s not necessary.” That’s what I help people do. I take away everything that’s not necessary. You can reveal who you are, nothing more, nothing less.

These are themes that are coming up a lot. I left a mentorship group and we talked about the difference between when we set goals, a lot of times we’re setting smart goals like, “I need to make this much money, I need a new job, I need a new career.” That’s very different from your heart’s desires. Sometimes, what your heart wants is a whole different thing, but as children, we are not totally taught to be shaped around. You said something like this in the book, but we ask, “What do you want to do when you grow up?” as opposed to, “Who are you?” I literally did that process with someone or with the group. What an impact it would make if we shape ourselves around who we are versus what we’re told, “You’re going to be a teacher when you grow up.” All these external things. Can you talk a little bit more about that?

The process that I encourage people to follow is the FLAUNT! Process. It’s five steps. It’s something that I encourage people to do every day so they can start getting in touch with who they are because as you mentioned, we say, “I have responsibilities. I have to make money. I have to pay the bills.” Of course you do, but who are you first? The five steps of FLAUNT!, the first step is F, Find your fetish. That fetish is that thing that you do every day that lights you up. Kids play for the sake of playing. They don’t play to impress people. They don’t play to get skinny. They don’t play to get a better job. They play because it’s fun. We can do that too every day. It’s not like we have to play for hours a day. It’s not like we have to even do it for an hour a day, but what is your fetish? What do you enjoy? How can you do that one thing? Once a day, even if it’s for a three-minute dance break, find your fetish and start there.

I’ve talked about this on the show in the past with another leader and another Cardinal. I’m curious because I wonder what your methodology is. We know that there’s an epidemic of people out of touch with what they even like to do for fun or what they love. What is your method for helping people come into contact with coming back to life with their desire and passion? What do you do for that?

Honestly, I am asking people to challenge themselves to go through those five steps. Find your fetish is hard. What do you do? That’s the next step, L, Laugh out loud. What makes you laugh? It could be funny cat videos. It could be old movies. It could be calling a friend. It could be reading something. We have to challenge ourselves to try and to fail. Return to some of those things that you like doing as a kid. If it was playing ball, playing dolls or playing board games, try it out. See what’s fun because chances are, you’re going to fail more times than you’re comfortable failing, but you have to go through that process. Talk to other women about it. Have a friend challenge you and experiment.

How many times as kids do we experiment? We go out, we just romp through a field and we see what’s there. We get so goal-oriented. It’s stepping back from that goal and into our bodies. Dancing and movement are something I encourage so often in this process because all kids play. Every culture dances, sings and plays. We prepare for the hunt. We have rain dances and water dances. We have a ceremony around weddings and funerals and babies, and they all involve moving. If you’re at a complete loss, turn on a song that you like and don’t even think about it, even if you’re just doing left tap, right tap. Let your body take over and start moving that energy through and feeling your feelings.

A lot of the intuitive information that I’m getting is embodiment is more important than anything. A lot of us have done the head work, the brain work, even the soul work, but it hasn’t quite moved in the body yet. The energies haven’t quite moved into the body. I love that you’re bringing up that all cultures dance, sing and do rituals. I know that for me, I used to love dancing when I was younger, but life happened and I was one of the smart kids. You get tracked when you’re younger into being a freaking brainiac, for what? I can spend tens of thousands of dollars, but I lost touch with my body for a long time because that’s not my track.

TGV 16 | Sexy Spiritual Self

Sexy Spiritual Self: We all have this beautiful personality, whether it’s big and bright or rich and deep.

 

The sensation of our bodies, like one of the things that I always have my people do is put on lotion. Not put on lotion because, “My skin is dry,” but put on lotion, smell it, feel it and notice the different sensation on the inside of your arms, on the back of your hand, on your throat, on your thighs. Notice and it feels good. It smells good. Notice the different consistencies. Notice you’ve got a body.

A lot of people notice their bodies, but they are still in self-loathing around it because of our systemic problem that women have. It gets projected on us and body image. For someone that does have some severe body image issues that they don’t even want to dance because it reminds them they have a body. What kind of things would you recommend for people like that?

That is what I call the golden center of FLAUNT! The AU, Accept Unconditionally. We are where we are. We are built on how we are built. If we want to change, if we want to go on a journey, it’s one step at a time, but we can only start where we are. We have to start by accepting that unconditionally because we take care of things we love. We take care of the things we accept. We take care of things we touch, feel, taste and acknowledge. It’s only when we are rooted and grounded in how we are and what we are that we can ever hope to change.

I tell people it’s that classic alcoholic’s problem. We all know about alcoholism and about being an enabler. When we’re not accepting ourselves as we are, we’re enabling ourselves to fall into that self-loathing. We have to accept skin is loose, fats rolling around, hips are this shape, the body is this shape, boobs are doing this. Accept it. When you accept it, then you know what that next logical step for change is if there is one. If you don’t have the next logical step for change, you’ve got to love what is because we take care of what we love. The things we hide, we feel shame around, we feel guilt over and we repress, keep popping up. It will haunt us.

It reminds me of the first time I addressed my own body shame. I was in my mid-twenties and I belonged to the spiritual school. It is like this mystery school and it was a school of initiation. I know it’s mysterious. I went in there and I knew these people and I was ready to take my next initiation. They’re like, “Get naked. Strip down.” I was like, “I don’t think so,” because I was raised, my father is from the Island of Puerto Rico, so we are very freaking traditional. We had to cover up growing up. I had a lot of body shame. I was probably about 24. If I only knew I was ultra-hot back then, my life would be different, but I was always convinced I was a foul beast.

They’re like, “Take off your clothes.” I was like, “Hell no, what are you thinking?” They’re like, “If you don’t take off your clothes and go through this initiation, you have to leave the school.” I was like, “My spiritual school can wait,” but then I left. I got upset at myself. I was like, “I already know these are good people. They’re not going to do any weird stuff other than to ask me to get naked for no freaking good reason. What the hell was I thinking?” I would not recommend that for my own children. I went back and I got pissed and I was like, “We’re not going to let a little thing like this false modesty shit get me down and stop me on my journey of mystical parties.” I shaved my legs. I trimmed and I went running all day for a week. I was like, “I’ll be back next Sunday, motherfuckers.” I did it. It was such a wonderful release for me. It’s like I had shed so much of that baggage in one little power move. I like that you’re working with even the image of burlesque because I feel like it represents the naked truth, but also the deep work that we have to do on a body level, body shame.

For my burlesque journey, let’s face it. There are times where my body is rocking great. There are times where it’s just not. I do actual real burlesque dancing. There are shows that get booked at all times. It is always interesting to me how a show gets booked and I’m not in my best body and I’m 20 pounds up. That choice always confronts me. Do I accept the booking and go have so much fun and dance, toss glitter in the air, laugh, shake it and let my joy flow? Do I shut myself off, pinch off that joy and be like, “I’m 20 pounds up, I’m not going to do it, I’m going to stay at home?” The choice is always, “Go live. Go have joy. Go express and experience and have fun.” Whether it’s a real stage, it’s a swimming pool or it’s a birthday party, the choice is always the same. Get out there and live. Go have fun. Nobody cares except you. If they do care, it’s their problem, not yours.

[bctt tweet=”There’s more than one path to the top of the mountain.” via=”no”]

That’s our body image. We shame ourselves for our age like, “I’m too old to do that. I don’t have enough money for that. That’s not for me.” We are constantly knocking ourselves down. I love the process that you share in the book because it does help you unwrap some of these false notions that you’re standing on. It makes you challenge and transform them.

It was interesting too the response that I would get from women after I’d be on stage, flaunting my imperfect self. People come to you with tears and they’re like, “You are 50 and you can do it. I can do it too.” Do you know what I’m thinking? “I was worried about my cellulite and you’re telling me, I am this Cardinal leader?”

You have an interesting quote in your book. It says, “When we reveal ourselves authentically, unapologetically and show our smart, sexy, spiritual selves, it can lead to personal empowerment and maybe even cultural change.” Can you share a little bit more about that?

The more people shame us and the more we respond to that shame or that judgment, the more power they have.

When you say they, tell me more.

It can be anybody. It can be our well-meaning parents who want to protect us. It can be churches, religions. It can be bosses. It can be schools. It’s our whole culture. It’s our whole society. It’s the media. Anybody who is shaming, judging or controlling us by telling us, even when it’s loving, “Don’t do that. Don’t wear that. Cut your hair.” Any person, place, thing or institution that is telling us, “You can only play if you conform.” I speak a lot for diversity and inclusion in the workplace, and this happens a lot. We say, “We want a diverse workforce. You can come in and you can join our company if you act like a white male who’s 50.” That’s not diversity.

Whether it’s personal or professional, the more often we as individuals are able to stand in our power and say, “Thank you for that wonderful judgement. I don’t choose to change the way I show up because of that. Thank you for telling me wearing a short skirt might get me raped. I understand that is your world view, thank you for sharing your concern. I am still choosing to wear my skirts and show myself this way.” The more often we lovingly say that, “No, thank you,” the less power they will have, and the less often they will put their opinions on us and the greater cultural revolution we can create simply by flaunting ourselves as we are.

TGV 16 | Sexy Spiritual Self

Sexy Spiritual Self: Trust in your truth. Your truth is your birthright and your connection with spirit.

 

That authentic question has come up a lot. This new layer is calling us all to deepen our authenticity or more of it. It seems to be cracking down in all these different directions, but I like that you’re stating. This is how we get to our Cardinal power. It’s when you are showing up authentically. All the people that have been subjugated, we have all the movements going on and that the voices are rising. It is important for all of us to come out of the closet. In my case, my protest over the last few years, for me personally, has been helping people come out of the spiritual closet and claiming, owning and vocalizing who they are as a spiritual nature because many people are afraid of being considered woo or disregarded because they talk to angels.

More and more, I see people strumming their protests, wherever their protest is. I do think we’re seeing a cultural change. As a matter of fact, a lot of my clients, I have had a lot of male CEO-type clients. They’re coming into the woo. It’s happening, the shift is on. I’m seeing a little change in the previous years that I’ve been doing this work where people are talking about this stuff more thoroughly. You talk about spirit also in your book. Can you share how is that an important part of your FLAUNT! process?

It’s everything. FLAUNT! is an acronym. Find your fetish, Laugh out loud, Accept Unconditionally, Navigate the negative, which is what you were talking about being authentic. It all leads to the T, which is Trust in your truth. Your truth is your connection with spirit. It’s not like we’re these little individual pod beans out there who were being guided by nothing. Our truth is our birthright, our connection with spirit. If I don’t trust myself, how can I have faith? How can I trust God, spirit, the universe, all of Buddha, Jesus, whoever? How could I trust any of my divinity, any of my divine nature, if I’m not clear, honest and authentic about the fact that I am a divine child of God? I am listening to the universe.

That’s where all of my power comes from. That’s what enables me to stand lovingly in this space with anybody of all political beliefs, religious beliefs, cultural beliefs and be like, “I bless that and I release that because my truth is my divine connection to source.” My divine connection to source tells me this and I’m willing to stand in this and to continue that dialogue with my source. No matter what is going on around me, no matter how I have been shit upon, mistreated or subjugated, I am confident in myself and my connection to source that I can’t be rocked anymore by anyone or anything.

In my case, I started trusting spirit first, and then they showed me how to trust myself because I was listening to the voice and to my heart’s desire. I think it all starts with that voice that you’re talking about, that heart and following your fetish. It guides you into interesting territory because to me, angels where my fetish. I have no idea where I would end up. I thought I was being weird, impractical and having my little secret-like conversations with angels that no one knew about. You never know where your fetish is going to lead.

I love it because it’s important. As an attorney, whether people are sitting and reading, this is me in my authentic self. This is me showing up as an attorney and me talking to angels in my head. It’s not like I’m surreptitiously reading my clients, but I’m using my intuition all day long and I’m feeling through things. I’m talking about it, connecting it and I’m trying to go deeper. I didn’t want to do the surface level work. I didn’t want to meet a person and have my angels and my guides raising all these red flags, “This person has got a severe mental illness. This is not going to go well.” I want to trust my heart in my work. I want to be able to show up at work in the full expression of myself, reading angels, reading guides, listening and to be admired, and heard for that. Not have people be like, “I’m sorry, Lora, you have to take this client anyway, even though there are 200 prickly red flags. They’re going to do something horrible.” I want to trust myself.

That’s part of being a Cardinal. You know that thing I alluded to and I have to talk to you about this thing. When I was reading it, I was like, “This is the story of my life here.” It’s called the stripper’s nightmare. Can you share the stripper’s nightmare routine?

[bctt tweet=”Let your heart shine however it is because the spirit doesn’t make a mistake. ” via=”no”]

The stripper’s nightmare is a classic burlesque routine. Think about Mae West. Think about these elegant women dripping with jewels, these gowns and the bow and they’re elegant. They glide across the stage and they strip their gloves. They dance with their bow and they do all this beautiful, sexy, seductive routine, where everybody is melting with ooh and aah, love and lust. That’s the classic burlesque routine. In the stripper’s nightmare, it starts off like that and they’re gliding across the stage. They go to toss their bow off and it gets caught in their crown. They’re like, “Crap,” fake smile. Take it off the crown. As they take it off the crown, the feather headdress gets skewed and they’re like, “Do I adjust it or do I keep going?” They’re like, “I’ll keep going.” They remove like love and it’s perfect. They go to unzip, but the zipper jams and they’re like up and down.

Finally, they’re tugging. They get the gown off one arm and it’s beautiful. They’re finding their groove and then the next arm won’t come off because the zipper couldn’t down all the way. They ended up tugging. There’s a chair, a chaise lounge across the stage. They saunter over and they sit down, but because their arm is stuck, the zipper’s not full, their headdress is askew, they can’t quite get it to them. The heel of their shoe gets stuck in their gown. They have to rip their gown and they get it off. The best part of that routine is when they finally get the bra off. The bra hook gets caught in the fishnet, so then the bra is hanging off their thigh because it’s stuck in their fishnet. Everything that you intend about this seductive, sensuous, it all flows, everything is ruined. Everything is not sensual, seductive and flowy. You have to either laugh or pretend that it’s not happening. You’re not quite sure as the viewer at first, “Is this a comedic routine? Do I laugh?”

It’s awkward. They don’t know what to do. It’s good. I’m telling you the story of my life. I stand here at one humiliating move after another, where you feel like things are going to go wrong. Even if you’re not technically going wrong, in your mind, it’s going to be a tragedy, failure and be horrible. I thought, “I never read a story that sounded like my life story.” That’s it. You think that you’re doing a good job but not. The way that you frame it and why you tell it in the book is important. Can you share with our audience a little bit about that and why it’s a good metaphor for how to live?

It is such a great metaphor because you’ve got your one song. You’ve got your goal by the end of the song. As a burlesque routine, your goal is to get naked, to be in your beautiful bejeweled pasties, your beautiful thong and to entertain, and to have fun while you’re doing it. Whatever is happening along the way, you’ve got one song. You’ve got one life. How are you going to get there? Are you going to do it with grace? Are you going to laugh? Are you going to stomp off the stage, ruin it for the audience, ruin it for yourself and throw your little tantrum because it didn’t work out the way you wanted? Can you embrace that song, the moment and reach the goal? However it is, there’s more than one way to skin a cat. There’s more than one path to the top of the mountain. You’ve got one life. Enjoy it. It’s not going to turn out the way you anticipate. Have some fun and turn it into a comedy if you need to.

I do a lot of mentoring on spiritual entrepreneurs and things like that. Sometimes in the beginning, they have their hesitance in being more visible and stepping out. One thing that has occurred to me over the years, one of our biggest barriers is that we take ourselves way too seriously. A little fumbling around stage is good fun for everyone.

Sometimes it’s better. We’ve seen the beautifully lush, sexual, sensual experience a million times. We haven’t seen the stripper’s nightmare. That’s way more fun. Let’s have some fun with that.

I was almost inspired to become a burlesque dancer in reading your book, so I can do that one routine. I feel like I’d be good at that one.

TGV 16 | Sexy Spiritual Self

Sexy Spiritual Self: FLAUNT! is about flaunting our beautiful selves, but it’s also about flaunting our imperfect selves and being okay with being imperfect.

 

The intent would be to make it comedic and it would all be perfect. You’d be like, “Perfection happens when I least expect of it.”

When we’re looking at our life path, our journey and our heart’s desire for any dreams that start whispering to us, it’s going to ask us to be challenged. We’re going to have to make changes that we might anticipate humiliation. I think the process of asking yourself, “What’s the worst thing that’s going to happen if I try this thing?” I might not be able to get naked properly, but I might stumble around the stage a little bit. I thought that was an important aspect, especially a lot of people that I talked to. We cannot take ourselves seriously when we’re trying to live childlike.

If you think about that routine, it’s so much more comfortable to make our mistakes out loud. If you have a two-foot-tall feather headdress and it’s askew, you can’t pretend that it’s not. You can’t hold your head funky and pretend that it’s straight. You need to acknowledge it and live out loud. We all make mistakes. FLAUNT! is about flaunting our beautiful selves, but it’s also about flaunting our imperfect selves and being okay with being imperfect, having a crooked headdress and having a bra hanging out on our thigh because that’s how we all live. Let’s get real about it and flaunt how it is.

Worry a little bit less about perfection. Lora, do you have any last words of wisdom that you want to leave our audience with before you go?

I think the last word of wisdom is to let your heart shine. Whether it’s tuning into your spirituality, your angels, your fun or your fetish, let your heart shine however it is because the spirit doesn’t make a mistake. However you are is perfect. Whatever you’re feeling is perfect, and flaunt whatever is coming up for you in every single moment.

We are talking to Lora Cheadle. She wrote the book called FLAUNT! Drop Your Cover and Reveal Your Smart, Sexy & Spiritual Self. Lora, if people want to grab a copy or check out what else you’re doing out there, where would they go?

Go to NakedSelfWorth.com. When you go there, you can download your copy of the Top 20 things that might be blocking your sparkle and how to FLAUNT! and what to do about them. NakedSelfWorth.com or find me on Facebook at Lora Cheadle.

Thanks so much, Lora. You keep rocking that redness out there. Thanks so much for all your goodness. We will see you soon.

Important Links:

About Lora Cheadle

TGV 16 | Sexy Spiritual Self

Lora Cheadle is the author of FLAUNT! After ten years of practicing corporate law in California and
Colorado, she chose to change paths to become the radio host and Life Choreographer® she is today. She
is a certified hypnotist, personal trainer, burlesque performer, and yoga instructor, as well as a popular
writer for People magazine and Elephant Journal. She offers “Find Your Sparkle” coaching programs,
workshops, and destination retreats and teaches all over the world. Her home base is in Colorado. Find
out more about her work at LoraCheadle.com

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